- Advances a new theory of "black classicism"
- Considers the function of classicism within American culture at large and reads black classicism as part of a larger critique of that culture
- Argues that classicism functions as a "language of power" and is itself central to the cultural hegemony that underlies and authorizes the regime of oppression and enslavement
Affiliated Authors
John Levi Barnard
Associate Professor, Director of Undergraduate Studies
Publication type
Faculty